Dostoevsky: Language, Faith and FictionMaster of Magdalene College University of Cambridge Former Archbishop of Canterbury Rowan Williams, Rowan Williams Baylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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51 psl.
If this is selfless love , it is also , troublingly , love that seems not to relate to the
one loved . Finally and understandably , she is bound to rebel against Myshkin ' s
timeless pity , which leaves her frozen in the role of a wounded innocent in need
...
If this is selfless love , it is also , troublingly , love that seems not to relate to the
one loved . Finally and understandably , she is bound to rebel against Myshkin ' s
timeless pity , which leaves her frozen in the role of a wounded innocent in need
...
135 psl.
Strakhov , an uncompromising conservative , had no time at all for any attempt to
understand the radicals or to look for common ground , and this seems to have
been the occasion for the quar rel - quite a serious one , which goes far to ...
Strakhov , an uncompromising conservative , had no time at all for any attempt to
understand the radicals or to look for common ground , and this seems to have
been the occasion for the quar rel - quite a serious one , which goes far to ...
218 psl.
We began this chapter by looking in detail at a section of Devils which seems
designed to highlight anxiety about images or representations and reality . The
world of that section is one in which nothing is sacred : if an icon can be stolen
and ...
We began this chapter by looking in detail at a section of Devils which seems
designed to highlight anxiety about images or representations and reality . The
world of that section is one in which nothing is sacred : if an icon can be stolen
and ...
Ką žmonės sako - Rašyti recenziją
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
Turinys
Christ against the Truth? | 15 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection continuing conversation create cross death decision demonic desire Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon idea imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less live look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin Stepan story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision wants whole writing Zosima