Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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39 psl.
... refusal to accept a world in which atrocities hap- pen is also a refusal to accept the actuality of healing or forgiveness . And while this is in many ways an appropriate aspect of the human response to atrocity — as in the memorial ...
... refusal to accept a world in which atrocities hap- pen is also a refusal to accept the actuality of healing or forgiveness . And while this is in many ways an appropriate aspect of the human response to atrocity — as in the memorial ...
57 psl.
... refusal of coercion or violence is the refusal of a path that would close off such further and potentially life- giving change , and we have seen how , in the “ afterlife ” of the Inquisi- tor story in the novel , it turns out that ...
... refusal of coercion or violence is the refusal of a path that would close off such further and potentially life- giving change , and we have seen how , in the “ afterlife ” of the Inquisi- tor story in the novel , it turns out that ...
241 psl.
... refusal to contemplate suffering that we might alleviate ? Then we have a problem ; we are allowing that our responsibility has limits : not just practical limits , as that is granted in Alyosha's encouragement to Mitya to abandon his ...
... refusal to contemplate suffering that we might alleviate ? Then we have a problem ; we are allowing that our responsibility has limits : not just practical limits , as that is granted in Alyosha's encouragement to Mitya to abandon his ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima