Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 1–3 iš 56
103 psl.
... reader but also with the ridicule of the reader ? Has he realized that the whole enterprise of public confession and penance of this kind will make him look not only hateful but foolish ? Tikhon has read the ambiguity of the document ...
... reader but also with the ridicule of the reader ? Has he realized that the whole enterprise of public confession and penance of this kind will make him look not only hateful but foolish ? Tikhon has read the ambiguity of the document ...
121 psl.
... reader to do the same , and to recognize that there are elements of self - recognition that have not yet been drawn out in the reader's own discourse . It is not only the saints in Dostoevsky who prompt self- revelation . Here it is a ...
... reader to do the same , and to recognize that there are elements of self - recognition that have not yet been drawn out in the reader's own discourse . It is not only the saints in Dostoevsky who prompt self- revelation . Here it is a ...
215 psl.
... reader to choose from , what is lost is the sense of any possible presence in the text that lays a claim on the reader ( whether or not such a claim is judged finally acceptable or intelligible ) . In short , it is by no means obvious ...
... reader to choose from , what is lost is the sense of any possible presence in the text that lays a claim on the reader ( whether or not such a claim is judged finally acceptable or intelligible ) . In short , it is by no means obvious ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima