Dostoevsky: Language, Faith and FictionMaster of Magdalene College University of Cambridge Former Archbishop of Canterbury Rowan Williams, Rowan Williams Baylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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113 psl.
We as readers are being engaged by the openended narrative of persons in dialogue , invited to continue the ... 4 human agency is distinct because speech makes a difference to it : if a person is told that he is predetermined to act in ...
We as readers are being engaged by the openended narrative of persons in dialogue , invited to continue the ... 4 human agency is distinct because speech makes a difference to it : if a person is told that he is predetermined to act in ...
118 psl.
This question is always answered from the possible and presumed point of view of another person . ... It is in the reaction of the other person that the whole matter lies . " 14 But Golyadkin cannot produce by his inner pseudo ...
This question is always answered from the possible and presumed point of view of another person . ... It is in the reaction of the other person that the whole matter lies . " 14 But Golyadkin cannot produce by his inner pseudo ...
136 psl.
Crime and Punishment is told by an omniscient thirdparty narrator , but a great deal of its substance is in fact first person , as we follow Raskolnikov's feverish thought processes . The Idiot is told in a conventional third - person ...
Crime and Punishment is told by an omniscient thirdparty narrator , but a great deal of its substance is in fact first person , as we follow Raskolnikov's feverish thought processes . The Idiot is told in a conventional third - person ...
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LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
Turinys
Christ against the Truth? | 15 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection continuing conversation create cross death decision demonic Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon idea imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less live look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality refusal relation religious represent responsibility Russian seems seen sense Shatov significant simply someone sort speak specific spiritual Stavrogin Stepan story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision wants whole writing Zosima