Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 1–3 iš 61
113 psl.
... persons in dialogue , invited to continue the dialogue when we have stopped reading , because we are like the ... person is told that he is predetermined to act in such and such a way , the act of com- munication itself makes it ...
... persons in dialogue , invited to continue the dialogue when we have stopped reading , because we are like the ... person is told that he is predetermined to act in such and such a way , the act of com- munication itself makes it ...
118 psl.
... person . . . . It is in the reaction of the other person ... that the whole matter lies . " 14 But Golyadkin cannot produce by his inner pseudo - dialogues a genuinely other voice that can give him what he needs ; ultimately he can only ...
... person . . . . It is in the reaction of the other person ... that the whole matter lies . " 14 But Golyadkin cannot produce by his inner pseudo - dialogues a genuinely other voice that can give him what he needs ; ultimately he can only ...
136 psl.
... person , as we follow Raskolnikov's feverish thought processes . The Idiot is told in a conventional third - person style , though one which Dostoevsky intends to read awkwardly ( as the introduction to McDuff's transla- tion points out ) ...
... person , as we follow Raskolnikov's feverish thought processes . The Idiot is told in a conventional third - person style , though one which Dostoevsky intends to read awkwardly ( as the introduction to McDuff's transla- tion points out ) ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima