Dostoevsky: Language, Faith and Fiction
Master of Magdalene College University of Cambridge Former Archbishop of Canterbury Rowan Williams, Rowan Williams
Baylor University Press, 2008 - 290 psl.
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.
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his entry ticket ; I decline the offer of eternal harmony altogether [ 320 ] . He is afraid that , confronted with the overwhelming evidence for God's supreme justice at the end of time , he , with everyone else , will join in the ...
Fyodor Karamazov offers to spit on his wife's beloved icon , as if the lack of any visible sanction or punishment ... It is an offer and an invitation : it is an otherness that seeks itself in me , and enables me to seek myself in it ...
The analogy is imperfect , and even the ultimate theological framework does not offer a tidy theoretical resolution of the imaginative problem facing both Ivan and Alyosha - how to believe in a God who is both the necessary condition ...
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