Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 13 iš 24
5 psl.
... novelist . Such terms are fraught with problems : they will mean seriously different things as used of different ... novelists , and we mean by this not that they are novelists who happen to be Catholics by private conviction , but ...
... novelist . Such terms are fraught with problems : they will mean seriously different things as used of different ... novelists , and we mean by this not that they are novelists who happen to be Catholics by private conviction , but ...
8 psl.
... novelist strictly as novelist will not settle for us by any obvi- ous strategy of closure in the narrative . The reader's work remains to be done in this regard . Not a comic writer the authorial withdrawal and obliqueness make this an ...
... novelist strictly as novelist will not settle for us by any obvi- ous strategy of closure in the narrative . The reader's work remains to be done in this regard . Not a comic writer the authorial withdrawal and obliqueness make this an ...
234 psl.
... novelist becomes theologically signifi- cant . Dostoevsky works on the basis that the novelist is able to show in some degree what divine creation might be like : that is , by creating a world in which the unexpected and unscripted is ...
... novelist becomes theologically signifi- cant . Dostoevsky works on the basis that the novelist is able to show in some degree what divine creation might be like : that is , by creating a world in which the unexpected and unscripted is ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death decision demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya noted novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin Stepan Trofimovich story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision words Zosima