Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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8 psl.
... nature ( and thus of death ) did not spare the greatest human being of all . And Alyosha's crisis of faith comes to a head when the operation of the laws of nature becomes all too obvious as the elder's body begins to decay after death ...
... nature ( and thus of death ) did not spare the greatest human being of all . And Alyosha's crisis of faith comes to a head when the operation of the laws of nature becomes all too obvious as the elder's body begins to decay after death ...
34 psl.
... natural to us or at odds with our nature ; Dostoevsky's language is wildly imprecise . All in all , this is a strong statement both of some kind of intrinsic impulse in human beings toward sacrifice and of the gulf between ideal and ...
... natural to us or at odds with our nature ; Dostoevsky's language is wildly imprecise . All in all , this is a strong statement both of some kind of intrinsic impulse in human beings toward sacrifice and of the gulf between ideal and ...
92 psl.
... nature , immor tality , and God . To decide for death , instead of allowing natural forces or the decisions of others to kill you , is thus the supreme protest on behalf of freedom from nature , history and God . Although much of this ...
... nature , immor tality , and God . To decide for death , instead of allowing natural forces or the decisions of others to kill you , is thus the supreme protest on behalf of freedom from nature , history and God . Although much of this ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima