Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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... means that we have to go on speaking / writing about God , allowing the lan- guage of faith to encounter fresh trials every day , and also fresh distor tions and refusals . In writing fiction in which no formula is allowed ...
... means that we have to go on speaking / writing about God , allowing the lan- guage of faith to encounter fresh trials every day , and also fresh distor tions and refusals . In writing fiction in which no formula is allowed ...
225 psl.
... means . Despite the lyrical cosmic spirituality of Markel and his brother , and of Alyosha after his dream , the ... means only when we see it defiled when we can articulate what blasphemy means , is not a commendation of blasphemy as a ...
... means . Despite the lyrical cosmic spirituality of Markel and his brother , and of Alyosha after his dream , the ... means only when we see it defiled when we can articulate what blasphemy means , is not a commendation of blasphemy as a ...
231 psl.
... means . At its extreme point , such a dissolution portends an " end of history , " a collapse of the possibility of making any meaningful narratives of individual or corporate experience ; which is why Dosto- evsky's fictions repeatedly ...
... means . At its extreme point , such a dissolution portends an " end of history , " a collapse of the possibility of making any meaningful narratives of individual or corporate experience ; which is why Dosto- evsky's fictions repeatedly ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima