Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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91 psl.
... live because , once it has been established that God is the source of all lies , and that the will is sovereign , human beings may " live in the greatest glory " [ 614 ] . This saving suicide is a kind of reversal of the cross of Christ ...
... live because , once it has been established that God is the source of all lies , and that the will is sovereign , human beings may " live in the greatest glory " [ 614 ] . This saving suicide is a kind of reversal of the cross of Christ ...
94 psl.
... live , Stepan will die because Stepan has been left with no alternative but the truth about who he is ; just as Varvara will live and her son will die , because he has been left with nothing but his own face in the mirror . Parents and ...
... live , Stepan will die because Stepan has been left with no alternative but the truth about who he is ; just as Varvara will live and her son will die , because he has been left with nothing but his own face in the mirror . Parents and ...
193 psl.
... live in an environ- ment of immense loss , not simply a " disenchanted " world but one that is locked into itself and shrinking . Instead of the icon , there is a blank wall , a cavity with a mouse scuttling inside ; all they can see of ...
... live in an environ- ment of immense loss , not simply a " disenchanted " world but one that is locked into itself and shrinking . Instead of the icon , there is a blank wall , a cavity with a mouse scuttling inside ; all they can see of ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima