Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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59 psl.
... less resolutely secular direction . This is by no means a move toward the novel as straightforward religious apologetic ; everything in his fic- tional achievement tells unequivocally ... less controlled , less Christ against the Truth ? 59.
... less resolutely secular direction . This is by no means a move toward the novel as straightforward religious apologetic ; everything in his fic- tional achievement tells unequivocally ... less controlled , less Christ against the Truth ? 59.
60 psl.
Language, Faith and Fiction Rowan Williams. way is open for a much less controlled , less morally balanced , more psy- chologically and verbally unresolved writing . It is as if grace could be shown in fiction only under the form of a ...
Language, Faith and Fiction Rowan Williams. way is open for a much less controlled , less morally balanced , more psy- chologically and verbally unresolved writing . It is as if grace could be shown in fiction only under the form of a ...
64 psl.
... less extravagantly but still satirically about a rather less metaphorical kind of devil . Dur ing his baroque monologue of surreal buffoonery at the monastery , he speculates that he may be possessed by an evil spirit but " one of ...
... less extravagantly but still satirically about a rather less metaphorical kind of devil . Dur ing his baroque monologue of surreal buffoonery at the monastery , he speculates that he may be possessed by an evil spirit but " one of ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima