Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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7 psl.
... later in this book ) in which tensions were created for the reader rather than the characters that is , in which we are invited not to contemplate the dilemmas of an individual which may or may not mirror our own , but to inhabit a ...
... later in this book ) in which tensions were created for the reader rather than the characters that is , in which we are invited not to contemplate the dilemmas of an individual which may or may not mirror our own , but to inhabit a ...
16 psl.
... later on this looks like an attractive reading . Dostoevsky becomes the ally of a particular kind of religious modernity in which an aesthetic of self - definition through the option to entertain a religious mythology replaces any ...
... later on this looks like an attractive reading . Dostoevsky becomes the ally of a particular kind of religious modernity in which an aesthetic of self - definition through the option to entertain a religious mythology replaces any ...
94 psl.
... later ) fleeing from the debacle of the fete , from his public humiliation by his son's generation , from a lifetime of dishonesty . Pyotr will live , Stepan will die because Stepan has been left with no alternative but the truth about ...
... later ) fleeing from the debacle of the fete , from his public humiliation by his son's generation , from a lifetime of dishonesty . Pyotr will live , Stepan will die because Stepan has been left with no alternative but the truth about ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima