Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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psl.
... language that is untainted and obvious for any discipline . We are bound to use words that have histories and associations ; to see things in terms of more than their immediate appearance means that we are constantly using a language we ...
... language that is untainted and obvious for any discipline . We are bound to use words that have histories and associations ; to see things in terms of more than their immediate appearance means that we are constantly using a language we ...
113 psl.
Language, Faith and Fiction Rowan Williams. no manifest and unchallengeable last word in the processes of human ... language : to speak , as we have done in previous chapters , about the affirmation of history is to speak about the ...
Language, Faith and Fiction Rowan Williams. no manifest and unchallengeable last word in the processes of human ... language : to speak , as we have done in previous chapters , about the affirmation of history is to speak about the ...
136 psl.
... language or that language is most truthful when it is most transparent to emotion , since it too is simply a moment in the process of the construction of the self in encounter . And we are left with the question which Dostoevsky ...
... language or that language is most truthful when it is most transparent to emotion , since it too is simply a moment in the process of the construction of the self in encounter . And we are left with the question which Dostoevsky ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima