Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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99 psl.
... incarnate , since there is nothing that can be achieved in history except through human wills . That is why the Devil of Ivan's nightmare is unable to commit himself to any kind of belief , as he has no material and psychological ...
... incarnate , since there is nothing that can be achieved in history except through human wills . That is why the Devil of Ivan's nightmare is unable to commit himself to any kind of belief , as he has no material and psychological ...
209 psl.
... incarnate Christ . The distinction between the " God - man , " Christ incarnate , and the " man - God " who is the hope of certain kinds of radical activist is made in so many words in Stavrogin's conversation with Kirillov [ 244 ] ; it ...
... incarnate Christ . The distinction between the " God - man , " Christ incarnate , and the " man - God " who is the hope of certain kinds of radical activist is made in so many words in Stavrogin's conversation with Kirillov [ 244 ] ; it ...
225 psl.
... incarnate and the requirement laid on those who experience “ cosmic reconciliation " to make it concrete in the choice of responsibility for the sin and suffering of the world we see . The visions of Markel or Alyosha are not Myshkin's ...
... incarnate and the requirement laid on those who experience “ cosmic reconciliation " to make it concrete in the choice of responsibility for the sin and suffering of the world we see . The visions of Markel or Alyosha are not Myshkin's ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima