Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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83 psl.
... importance of Belinsky's equation of nationality with personality , and this is an important point , since it connects with the concern for the concrete and specific . Just as the uniqueness of the acting person has to be safeguarded at ...
... importance of Belinsky's equation of nationality with personality , and this is an important point , since it connects with the concern for the concrete and specific . Just as the uniqueness of the acting person has to be safeguarded at ...
101 psl.
... important , argues that Dostoevsky's decision not to reinstate the chapter was prompted by sound narrative and aesthetic considerations , not only by the constraints of censorship . Stavrogin never tells us who he is : " he need not ...
... important , argues that Dostoevsky's decision not to reinstate the chapter was prompted by sound narrative and aesthetic considerations , not only by the constraints of censorship . Stavrogin never tells us who he is : " he need not ...
223 psl.
... importance of the Russian traditions of religious dissent and radical- ism for Dostoevsky needs more exploration ; not because it will show us a novelist more at odds with mainstream Orthodoxy or closer to some " dark " and apocalyptic ...
... importance of the Russian traditions of religious dissent and radical- ism for Dostoevsky needs more exploration ; not because it will show us a novelist more at odds with mainstream Orthodoxy or closer to some " dark " and apocalyptic ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima