Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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psl.
... imagination is something that continues to be the more or less daily business of religious believers , and it needs to be acknowledged that this is a pro- cess immeasurably more sophisticated than the repetitive dogmatism so widely ...
... imagination is something that continues to be the more or less daily business of religious believers , and it needs to be acknowledged that this is a pro- cess immeasurably more sophisticated than the repetitive dogmatism so widely ...
9 psl.
... imagination ) . We do not have to take on board all of Weil's passionate pessimism about the nature of all individual human subjectivity to see the point , and it is a point very close indeed to what Alyosha is saying . He knows the ...
... imagination ) . We do not have to take on board all of Weil's passionate pessimism about the nature of all individual human subjectivity to see the point , and it is a point very close indeed to what Alyosha is saying . He knows the ...
242 psl.
... imagination that is prepared to face the test of extremity and the humility to realize that we cannot be sure of ... imaginative possibilities , in obliging itself to confront the most extreme stresses to which belief can be exposed , in ...
... imagination that is prepared to face the test of extremity and the humility to realize that we cannot be sure of ... imaginative possibilities , in obliging itself to confront the most extreme stresses to which belief can be exposed , in ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima