Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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198 psl.
... icon is one of theirs [ 506 ] . But Makar simply inhabits a continuity stronger than the Schism . And , as if the icon were not already sufficiently semantically overdetermined , we are told that it depicts two saints [ 504 ] : the ...
... icon is one of theirs [ 506 ] . But Makar simply inhabits a continuity stronger than the Schism . And , as if the icon were not already sufficiently semantically overdetermined , we are told that it depicts two saints [ 504 ] : the ...
201 psl.
... icon that is Holbein's dead Christ , a face that is seen only in profile , turned at an angle to any possible encounter ) . And the basic polarity in Dostoevsky's moral world is not therefore between good people and bad people but ...
... icon that is Holbein's dead Christ , a face that is seen only in profile , turned at an angle to any possible encounter ) . And the basic polarity in Dostoevsky's moral world is not therefore between good people and bad people but ...
218 psl.
... icon reduced to a cartoon . We are in a world where the cal- lousness and casual blasphemy of the young generation is confronted only by a mindless and superstitious religiosity . There are no narra- tive icons around , and so the cultic ...
... icon reduced to a cartoon . We are in a world where the cal- lousness and casual blasphemy of the young generation is confronted only by a mindless and superstitious religiosity . There are no narra- tive icons around , and so the cultic ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima