Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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39 psl.
... happen is unacceptable and not to be made acceptable by any future at all [ 320 ] . The world remains a set of ... happens and that it is not dependent on human resource . There is , we have seen , no " third- person " reply to the ...
... happen is unacceptable and not to be made acceptable by any future at all [ 320 ] . The world remains a set of ... happens and that it is not dependent on human resource . There is , we have seen , no " third- person " reply to the ...
73 psl.
... happens . And if what I recognize in my own self is horror , the horror of sadistic or parricidal desires , as well as aspiration and com- passion , how is the disgust at that horror to be managed without the urge to self - destruction ...
... happens . And if what I recognize in my own self is horror , the horror of sadistic or parricidal desires , as well as aspiration and com- passion , how is the disgust at that horror to be managed without the urge to self - destruction ...
147 psl.
... happens does not have to happen- and so , in trying to reconstruct the past , there is no such thing as what must have happened . Consequently , Dostoevsky can exploit , skillfully and even mischievously , the uncertainty implicit in ...
... happens does not have to happen- and so , in trying to reconstruct the past , there is no such thing as what must have happened . Consequently , Dostoevsky can exploit , skillfully and even mischievously , the uncertainty implicit in ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima