Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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11 psl.
... freedom in the personages of the novels , and particularly the terrifying profiles of " revolutionary " freedom sketched in Devils . Here we have a diagnosis of the pathology of fantasies of absolute freedom comparable ( indeed quite ...
... freedom in the personages of the novels , and particularly the terrifying profiles of " revolutionary " freedom sketched in Devils . Here we have a diagnosis of the pathology of fantasies of absolute freedom comparable ( indeed quite ...
31 psl.
... freedom ; it literally secures freedom from the prison and it represents the freedom to refuse the argument over power and tragic necessity . Thus Alyosha is able to make the same gesture [ 343 ] in response to Ivan's conviction that ...
... freedom ; it literally secures freedom from the prison and it represents the freedom to refuse the argument over power and tragic necessity . Thus Alyosha is able to make the same gesture [ 343 ] in response to Ivan's conviction that ...
133 psl.
... freedom is most clearly seen in language , in the capacity of human agents to go beyond either mere reaction to or reproduction of the world of material stimuli ; and if this is the case , freedom is inevitably bound to time and ...
... freedom is most clearly seen in language , in the capacity of human agents to go beyond either mere reaction to or reproduction of the world of material stimuli ; and if this is the case , freedom is inevitably bound to time and ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima