Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 1–3 iš 34
64 psl.
... father of lies- " well , the son of it , the son of a lie " [ 63 ] ( in a novel deeply preoccupied with father hood and sonship , this is a phrase to note ) . The narrator ironically con- firms Fyodor's self - analysis , since we are ...
... father of lies- " well , the son of it , the son of a lie " [ 63 ] ( in a novel deeply preoccupied with father hood and sonship , this is a phrase to note ) . The narrator ironically con- firms Fyodor's self - analysis , since we are ...
175 psl.
... father and that his mother is possessive , confused , and unconsciously manipulative . It fig- ures in The Idiot only indirectly : Myshkin is an orphan , part of his root- less or depthless persona , and he inherits the wealth that ...
... father and that his mother is possessive , confused , and unconsciously manipulative . It fig- ures in The Idiot only indirectly : Myshkin is an orphan , part of his root- less or depthless persona , and he inherits the wealth that ...
177 psl.
... father is the source from which the son learns but therefore also the paradigmatic rival for the objects the son learns from him to desire . The bad father in the nov- els - Fyodor Karamazov above all , but also Stepan Verkhovensky in a ...
... father is the source from which the son learns but therefore also the paradigmatic rival for the objects the son learns from him to desire . The bad father in the nov- els - Fyodor Karamazov above all , but also Stepan Verkhovensky in a ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima