Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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152 psl.
... cross to Lizaveta , a cross with an inlaid icon like the one Raskolnikov pulls off Alyona's body and throws down . Had Lizaveta given Sonya's cross to her sister ? And the other cross worn by Alyona is described originally as of cypress ...
... cross to Lizaveta , a cross with an inlaid icon like the one Raskolnikov pulls off Alyona's body and throws down . Had Lizaveta given Sonya's cross to her sister ? And the other cross worn by Alyona is described originally as of cypress ...
154 psl.
... cross around his neck not only taking responsibility for the guilt of her murder but accepting that he and she are ... cross for twenty copecks in fact a cheap tin cross on a dirty ribbon . Selling your cross is a serious matter ...
... cross around his neck not only taking responsibility for the guilt of her murder but accepting that he and she are ... cross for twenty copecks in fact a cheap tin cross on a dirty ribbon . Selling your cross is a serious matter ...
156 psl.
... cross . But Rogozhin's response , the request to have this cross for his own , suggests that Myshkin is , not for the first or last time , being sentimentally unreal . The tin cross is a sign of responsibil- ity renounced . Myshkin's ...
... cross . But Rogozhin's response , the request to have this cross for his own , suggests that Myshkin is , not for the first or last time , being sentimentally unreal . The tin cross is a sign of responsibil- ity renounced . Myshkin's ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima