Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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6 psl.
... create characters whose comprehensive ironizing of their situa- tions and relationships places the entire narrative within a framework of a kind of alienation ; they have also played effectively with different strategies of ...
... create characters whose comprehensive ironizing of their situa- tions and relationships places the entire narrative within a framework of a kind of alienation ; they have also played effectively with different strategies of ...
52 psl.
... create , the attack upon himself , " 47 as he also creates or helps to create the nightmare conclusion of Rogozhin's mur der of Nastasya . One recent critic has said48 that Myshkin treats other characters as though he were their author ...
... create , the attack upon himself , " 47 as he also creates or helps to create the nightmare conclusion of Rogozhin's mur der of Nastasya . One recent critic has said48 that Myshkin treats other characters as though he were their author ...
223 psl.
... create transformation by address- ing the human subject from outside their own frame of reference and one in which there is no such dimension to reality and no such regis- ter for speech . In an odd way , he suggests ( in , for example ...
... create transformation by address- ing the human subject from outside their own frame of reference and one in which there is no such dimension to reality and no such regis- ter for speech . In an odd way , he suggests ( in , for example ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima