Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 13 iš 13
psl.
... continuing of dialogue is what writ- ing most intends . So no apologies ; and indeed , the writing of this book has been so much of a stimulus and a delight that I would feel it both ungracious and untruthful to say sorry for it ...
... continuing of dialogue is what writ- ing most intends . So no apologies ; and indeed , the writing of this book has been so much of a stimulus and a delight that I would feel it both ungracious and untruthful to say sorry for it ...
12 psl.
... continuing process of a reflective life . It enacts the freedom it discusses by creating a narrative space in which various futures are possible for characters and for readers . And in doing so it seeks - in the author's intention to ...
... continuing process of a reflective life . It enacts the freedom it discusses by creating a narrative space in which various futures are possible for characters and for readers . And in doing so it seeks - in the author's intention to ...
224 psl.
... continuing dialogue rather than its end ; and also , vitally , to remind us at every point of the nature of the image around which all other Christian images are orga- nized , the image of the self - emptying of God which springs " out ...
... continuing dialogue rather than its end ; and also , vitally , to remind us at every point of the nature of the image around which all other Christian images are orga- nized , the image of the self - emptying of God which springs " out ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima