Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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101 psl.
... confession as true ? Stav- rogin has specifically denied to Shatov , though " only after a pause that lasted much too long " [ 260 ] that he has abused any children , and one of the issues that arises around the confession during his ...
... confession as true ? Stav- rogin has specifically denied to Shatov , though " only after a pause that lasted much too long " [ 260 ] that he has abused any children , and one of the issues that arises around the confession during his ...
109 psl.
... confession , so far from being a real monologue , is both a struggle to silence other internal voices and a struggle to reach a listener . It exaggerates the pose of cynicism and self - despising as a preemptive strategy to avoid the ...
... confession , so far from being a real monologue , is both a struggle to silence other internal voices and a struggle to reach a listener . It exaggerates the pose of cynicism and self - despising as a preemptive strategy to avoid the ...
117 psl.
... confessions , monologues , and autobiographies of varying success and intelligibility . Raskolnikov's final confession of his guilt is only an outward manifestation of the failed exercise in self- knowledge that makes up the greater ...
... confessions , monologues , and autobiographies of varying success and intelligibility . Raskolnikov's final confession of his guilt is only an outward manifestation of the failed exercise in self- knowledge that makes up the greater ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima