Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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97 psl.
... complex relationship because , as Holquist shrewdly observes , Stavrogin is the only figure who upsets Pyotr's universal authorship . Is Stavrogin a character in Pyotr's narra- tive , or is Pyotr a character in Stavrogin's ? 37 Part 2 ...
... complex relationship because , as Holquist shrewdly observes , Stavrogin is the only figure who upsets Pyotr's universal authorship . Is Stavrogin a character in Pyotr's narra- tive , or is Pyotr a character in Stavrogin's ? 37 Part 2 ...
126 psl.
... complex and less resolved . We meet him first as someone who a little like Stavrogin - speaks obliquely through the variety of positions which he argues almost for the sake of arguing , although each of them represents a real insight ...
... complex and less resolved . We meet him first as someone who a little like Stavrogin - speaks obliquely through the variety of positions which he argues almost for the sake of arguing , although each of them represents a real insight ...
223 psl.
... complex symbols in Holy Scripture are at the mercy of unreliable interpreters . We are back once more with the recurrent point that the tension in Dostoevsky is not straightforwardly between belief and unbelief - as if it might be ...
... complex symbols in Holy Scripture are at the mercy of unreliable interpreters . We are back once more with the recurrent point that the tension in Dostoevsky is not straightforwardly between belief and unbelief - as if it might be ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima