Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 13 iš 86
122 psl.
... character of Pyotr in Devils , we are told that the true revolutionary " has no name . " 18 And it is a central element in Dostoevsky's portrait of the diabolical char acter that such a person avoids being identified , bound to a ...
... character of Pyotr in Devils , we are told that the true revolutionary " has no name . " 18 And it is a central element in Dostoevsky's portrait of the diabolical char acter that such a person avoids being identified , bound to a ...
137 psl.
... characters - Stavrogin's confession , the memoir of Zosima - whose status and accuracy are left in some degree open . It ... character in terms of the authorial consciousness . In allowing this time for the speech of characters to unfold ...
... characters - Stavrogin's confession , the memoir of Zosima - whose status and accuracy are left in some degree open . It ... character in terms of the authorial consciousness . In allowing this time for the speech of characters to unfold ...
138 psl.
... character in the light of this relation of creator to creation , do we then - if we want to think of ourselves as intelligent and free - have to think of ourselves in rela- tion to an eternal witness ? If we did not do so , would we not ...
... character in the light of this relation of creator to creation , do we then - if we want to think of ourselves as intelligent and free - have to think of ourselves in rela- tion to an eternal witness ? If we did not do so , would we not ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima