Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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68 psl.
... becomes clearest when we look at the two major references in Karamazov to the Devil , both in relation to Ivan . It has been suggested that Ivan stands to Ferapont as Alyosha does to Zosima ; both Ivan and the monk see the demonic as ...
... becomes clearest when we look at the two major references in Karamazov to the Devil , both in relation to Ivan . It has been suggested that Ivan stands to Ferapont as Alyosha does to Zosima ; both Ivan and the monk see the demonic as ...
116 psl.
... become symbols or types , in whose specificity he has no interest . All become moments or positions in his interior ... becomes deceptive and fragile . It has been well observed that Dostoevsky does not do landscapes ( except with the ...
... become symbols or types , in whose specificity he has no interest . All become moments or positions in his interior ... becomes deceptive and fragile . It has been well observed that Dostoevsky does not do landscapes ( except with the ...
157 psl.
... become part of one narrative ; she becomes , it is tempting to say , a Dostoevskian author , providing time and space for unforced human growth ( a process still significantly unresolved in the actual narrative of Crime and Punishment ) ...
... become part of one narrative ; she becomes , it is tempting to say , a Dostoevskian author , providing time and space for unforced human growth ( a process still significantly unresolved in the actual narrative of Crime and Punishment ) ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima