Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 13 iš 36
19 psl.
... appear as violent , and so provokes the verbal counter violence of the Underground Man's rantings . Rea- son , presented as the triumphant exercise of rationalizing power , power to reshape and reduce the human experience , appears ...
... appear as violent , and so provokes the verbal counter violence of the Underground Man's rantings . Rea- son , presented as the triumphant exercise of rationalizing power , power to reshape and reduce the human experience , appears ...
97 psl.
... appears to matter to him emotionally is that with Stavrogin ( and he " doubles " Stavrogin in the plot in a way not unlike the doubling of Myshkin and Rogozhin ) . This is a complex relationship because , as Holquist shrewdly observes ...
... appears to matter to him emotionally is that with Stavrogin ( and he " doubles " Stavrogin in the plot in a way not unlike the doubling of Myshkin and Rogozhin ) . This is a complex relationship because , as Holquist shrewdly observes ...
179 psl.
... appear - like Nastasya Filippovna - as that dangerous phenomenon , an economically independent woman , she also appears as a woman who is not constrained by the pressures of the marriage market . Despite or because of her status as a ...
... appear - like Nastasya Filippovna - as that dangerous phenomenon , an economically independent woman , she also appears as a woman who is not constrained by the pressures of the marriage market . Despite or because of her status as a ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima