Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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Rezultatai 1–3 iš 66
160 psl.
... Zosima's brother and finding fullest expression in the very direct and uncompromising teachings of the last two sections [ 415-19 ] . The account of the sickness and death of Zosima's brother [ 372-76 ] is obviously prompted by Zosima's ...
... Zosima's brother and finding fullest expression in the very direct and uncompromising teachings of the last two sections [ 415-19 ] . The account of the sickness and death of Zosima's brother [ 372-76 ] is obviously prompted by Zosima's ...
201 psl.
... Zosima [ 370 ] , but it is clear that this is different from Tikhon's clairvoyant intuition that Stavrogin will commit a serious crime . Zosima is recog- nizing someone who will be broken by his own awareness of evil , not by his guilt ...
... Zosima [ 370 ] , but it is clear that this is different from Tikhon's clairvoyant intuition that Stavrogin will commit a serious crime . Zosima is recog- nizing someone who will be broken by his own awareness of evil , not by his guilt ...
204 psl.
... Zosima.16 It is true that the monastery described in the novel and the ambience of Zosima's cell are recognizably — if rather loosely based on Optina , and even that Zosima's physical charac- teristics are strongly reminiscent of ...
... Zosima.16 It is true that the monastery described in the novel and the ambience of Zosima's cell are recognizably — if rather loosely based on Optina , and even that Zosima's physical charac- teristics are strongly reminiscent of ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima