Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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94 psl.
... Stepan , and her son similarly creates a series of reflections of himself in weaker personalities . But parents and children also com- plement each other's fates , each helping us see something about the other . Varvara possesses Stepan ...
... Stepan , and her son similarly creates a series of reflections of himself in weaker personalities . But parents and children also com- plement each other's fates , each helping us see something about the other . Varvara possesses Stepan ...
141 psl.
... Stepan Trofimovich's last days are depicted with a poignant sympathy that still does not deny itself the comic and the satirical . Stepan is genuinely moved and changed by hearing Sofya Matveevna reading the Bible , and he recognizes ...
... Stepan Trofimovich's last days are depicted with a poignant sympathy that still does not deny itself the comic and the satirical . Stepan is genuinely moved and changed by hearing Sofya Matveevna reading the Bible , and he recognizes ...
192 psl.
... Stepan did not want to discuss with her what her impressions of the Sistine Madonna were ( " As though I was incapable of the same feelings as you [ 342 ] ) . And now , Stepan is proposing to talk about the same Sistine Madonna at the ...
... Stepan did not want to discuss with her what her impressions of the Sistine Madonna were ( " As though I was incapable of the same feelings as you [ 342 ] ) . And now , Stepan is proposing to talk about the same Sistine Madonna at the ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima