Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
Knygos viduje
Rezultatai 1–3 iš 15
54 psl.
... Rogozhin at some level . At the very least , the picture tantalizingly puts before us an image of Christ that is in Orthodox terms no image at all , as if to alert us to the novel's central paradox , that the person who is presented as ...
... Rogozhin at some level . At the very least , the picture tantalizingly puts before us an image of Christ that is in Orthodox terms no image at all , as if to alert us to the novel's central paradox , that the person who is presented as ...
154 psl.
... Rogozhin in his home , and first encounters the Holbein reproduction on the wall . Rogozhin questions the Prince about his faith , and Myshkin , having originally evaded the question , answers eventually with a series of odd and ...
... Rogozhin in his home , and first encounters the Holbein reproduction on the wall . Rogozhin questions the Prince about his faith , and Myshkin , having originally evaded the question , answers eventually with a series of odd and ...
156 psl.
... Rogozhin's response , the request to have this cross for his own , suggests that Myshkin is , not for the first or last time , being sentimentally unreal . The tin cross is a sign of responsibil- ity renounced . Myshkin's purchase of ...
... Rogozhin's response , the request to have this cross for his own , suggests that Myshkin is , not for the first or last time , being sentimentally unreal . The tin cross is a sign of responsibil- ity renounced . Myshkin's purchase of ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima