Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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115 psl.
... Raskolnikov : the book seldom allows us much of a break from the stream of his con- sciousness which is also why the reader will remain confused about the exact motive for Raskolnikov's murder of Alyona . There is always more to be said ...
... Raskolnikov : the book seldom allows us much of a break from the stream of his con- sciousness which is also why the reader will remain confused about the exact motive for Raskolnikov's murder of Alyona . There is always more to be said ...
119 psl.
... Raskolnikov commits is " prima facie evidence for mental illness . To set at naught all respect for human life is to set oneself apart from fellow human beings in the most radical way possible . ” 15 And Raskolnikov's move toward the ...
... Raskolnikov commits is " prima facie evidence for mental illness . To set at naught all respect for human life is to set oneself apart from fellow human beings in the most radical way possible . ” 15 And Raskolnikov's move toward the ...
153 psl.
... Raskolnikov reenter common humanity , and she is there [ 626 ] to check that he does what she has told him to do . And in the Epilogue , while she patiently puts up with Raskolnikov's resentful harshness , she also manages to organize a ...
... Raskolnikov reenter common humanity , and she is there [ 626 ] to check that he does what she has told him to do . And in the Epilogue , while she patiently puts up with Raskolnikov's resentful harshness , she also manages to organize a ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima