Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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51 psl.
... Nastasya : " You're not like that , not like the person you pretended to be just now , " he protests when he meets her [ 138 ] . But , while he is right to see Nasta- sya as constantly dramatizing her condition and so concealing some ...
... Nastasya : " You're not like that , not like the person you pretended to be just now , " he protests when he meets her [ 138 ] . But , while he is right to see Nasta- sya as constantly dramatizing her condition and so concealing some ...
52 psl.
... Nastasya , knowing and not knowing that Rogozhin is waiting and ready to kill him . As Wasiolek says , " The prince creates , or helps to create , the attack upon himself , " 47 as he also creates or helps to create the nightmare ...
... Nastasya , knowing and not knowing that Rogozhin is waiting and ready to kill him . As Wasiolek says , " The prince creates , or helps to create , the attack upon himself , " 47 as he also creates or helps to create the nightmare ...
186 psl.
... Nastasya . Neither escapes from the other as the harrowing final scene after Nastasya's murder shows . And the pairing of Nastasya and Aglaya likewise collapses into the imprisonment of mutual fantasy ; in a way that reflects the ...
... Nastasya . Neither escapes from the other as the harrowing final scene after Nastasya's murder shows . And the pairing of Nastasya and Aglaya likewise collapses into the imprisonment of mutual fantasy ; in a way that reflects the ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima