Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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Rezultatai 13 iš 42
51 psl.
... Myshkin's timeless pity , which leaves her frozen in the role of a wounded innocent in need of the unquestioning gener- osity of another . If , as has been observed , 42 Myshkin is a man with no history , he equally tends to reduce ...
... Myshkin's timeless pity , which leaves her frozen in the role of a wounded innocent in need of the unquestioning gener- osity of another . If , as has been observed , 42 Myshkin is a man with no history , he equally tends to reduce ...
54 psl.
... Myshkin's character . It is not only a question about Myshkin at the end of the book . The significant confrontation of the Prince and the painting relatively early on might be taken as indicating that the lethal weakness of Myshkin is ...
... Myshkin's character . It is not only a question about Myshkin at the end of the book . The significant confrontation of the Prince and the painting relatively early on might be taken as indicating that the lethal weakness of Myshkin is ...
154 psl.
... Myshkin visits Rogozhin in his home , and first encounters the Holbein reproduction on the wall . Rogozhin questions the Prince about his faith , and Myshkin , having originally evaded the question , answers eventually with a series of ...
... Myshkin visits Rogozhin in his home , and first encounters the Holbein reproduction on the wall . Rogozhin questions the Prince about his faith , and Myshkin , having originally evaded the question , answers eventually with a series of ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima