Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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31 psl.
... Ivan's conviction that his philosophy is bound to put him beyond Alyosha's understanding or love . Alyosha's attitude toward Ivan is no more constrained by Ivan's thoughts than Christ's compassion for the Inquisitor is constrained by ...
... Ivan's conviction that his philosophy is bound to put him beyond Alyosha's understanding or love . Alyosha's attitude toward Ivan is no more constrained by Ivan's thoughts than Christ's compassion for the Inquisitor is constrained by ...
33 psl.
... Ivan such a transformed humanity , Ivan's case fails : Christ is indeed truly human , and his humanity is manifest in the effects of his life and work upon human beings now . And so Alyosha's original point , that the incarnation ...
... Ivan such a transformed humanity , Ivan's case fails : Christ is indeed truly human , and his humanity is manifest in the effects of his life and work upon human beings now . And so Alyosha's original point , that the incarnation ...
127 psl.
... Ivan's commitment is in the Inquisitor fable . Aly- osha is right to suspect that it is in praise of Jesus at least ... Ivan's indirect speech , so that he is able to signal clearly ( or so he thinks ) to Ivan that Fyodor's murder is ...
... Ivan's commitment is in the Inquisitor fable . Aly- osha is right to suspect that it is in praise of Jesus at least ... Ivan's indirect speech , so that he is able to signal clearly ( or so he thinks ) to Ivan that Fyodor's murder is ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima