Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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40 psl.
... Devil . Ivan's Nightmare . " It is not simply that the Devil who appears to Ivan in this chapter refers back to the Inquisitor text : the whole of the Devil's discourse is shot through with intertextual allusion to earlier themes28 and ...
... Devil . Ivan's Nightmare . " It is not simply that the Devil who appears to Ivan in this chapter refers back to the Inquisitor text : the whole of the Devil's discourse is shot through with intertextual allusion to earlier themes28 and ...
41 psl.
... Devil is real , the " under ground " thoughts of the mind are not native to it ; if the Devil is unreal , his appearance of reality is one of those aberrations of the mind that make us unreliable judges of reality or truth . But if the ...
... Devil is real , the " under ground " thoughts of the mind are not native to it ; if the Devil is unreal , his appearance of reality is one of those aberrations of the mind that make us unreliable judges of reality or truth . But if the ...
72 psl.
... Devil whom Ivan encounters is presented as a force that makes for good to the extent that he holds us back from premature reconciliation . By continually keeping us aware of our complex motivations and of the ambiguity of appearances ...
... Devil whom Ivan encounters is presented as a force that makes for good to the extent that he holds us back from premature reconciliation . By continually keeping us aware of our complex motivations and of the ambiguity of appearances ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima