Lyrical BalladsRoutledge, 2013-05-13 - 440 psl. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to that which had been voiced before. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge’s and Wordsworth’s contemporaries, and includes some of their most famous poems, including Coleridge’s Rime of the Ancyent Marinere. |
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Rezultatai 1–5 iš 28
xii psl.
... style and a new spirit in poetry came over me”, he recalled: “It had to me something of the effect that arises from the turning up of the fresh soil, or of the first welcome breath of Spring . . . Coleridge and myself walked back to ...
... style and a new spirit in poetry came over me”, he recalled: “It had to me something of the effect that arises from the turning up of the fresh soil, or of the first welcome breath of Spring . . . Coleridge and myself walked back to ...
5 psl.
... style – and this is truer of the poem in the 1798 version – was derived from Percy's Reliques and from the English transla- tions of Bürger's Lenore6; but though ideally suited to its purpose, it was not the simple “modern” style for ...
... style – and this is truer of the poem in the 1798 version – was derived from Percy's Reliques and from the English transla- tions of Bürger's Lenore6; but though ideally suited to its purpose, it was not the simple “modern” style for ...
11 psl.
... style and language, which characterizes them all. Wordsworth directs our attention to this in the Advertisement to the 1798 edition and defends it at length in the Preface he wrote for the 1800 edition. The poems were a conscious ...
... style and language, which characterizes them all. Wordsworth directs our attention to this in the Advertisement to the 1798 edition and defends it at length in the Preface he wrote for the 1800 edition. The poems were a conscious ...
13 psl.
... style unlike that of his other work; they were, as Wordsworth informs the reader in his Adver- tisement, to be “considered as experiments”. He had already achieved some success in the style which he was to bring to perfection in Tintern ...
... style unlike that of his other work; they were, as Wordsworth informs the reader in his Adver- tisement, to be “considered as experiments”. He had already achieved some success in the style which he was to bring to perfection in Tintern ...
36 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
1 | |
Lyrical Ballads 1798 | 46 |
Lyrical Ballads 1800 | 162 |
Preface 1800 Version with 1802 Variants | 286 |
Notes to the Poems | 315 |
Text of Lewti or the Circassian LoveChant | 361 |
Wordworths Appendix on Poetic Diction
From the 1802 Edition of Lyrical Ballads | 365 |
Some Contemporary Criticisms
of Lyrical Ballads | 371 |
398 | |
401 | |
Kiti leidimai - Peržiūrėti viską
Lyrical Ballads, With a Few Other Poems, 1798– in large print Samuel Taylor Coleridge Ribota peržiūra - 2024 |
Lyrical Ballads, With a Few Other Poems, 1798– in large print Samuel Taylor Coleridge Ribota peržiūra - 2024 |
Pagrindiniai terminai ir frazės
Ancient appeared beautiful beneath brother called changes character child Coleridge Coleridge’s common dear described edition effect expressed eyes face fair father fear feelings fields give given grave green hand happy head hear heard heart hills hope human Idiot important interest kind language leaves less letter light lines live London look Lyrical Ballads Mariner mind moon morning mountain nature never night Note objects ofthe once pain passions perhaps persons pleasure poem Poet poetic poetry poor present produced published Reader rock round seems seen side soul sound spirit spring stanza stone style sweet tale tell thee things thorn thou thought tree turned volume wild wind wish woods Wordsworth write written