Puslapio vaizdai
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and anointed with the spirit of religion,-seems destined to claim and signalise the intellectual and moral conquest of the world!

The language of which we have spoken, is a noble store, and like the province over which it spreads, is various in its surface of fair and awful scenery; while, still like it too, its mines are deep, rich, and inexhaustible. The more its terms are investigated, the more replete will they be found, And other feelings flow in with these researches. They who spoke this language in its strength and purity, ere it was overwhelmed, struggled for light, but with darkness. Their spirits strained after our times. We need not be ashamed of them, but we should be ambitious to improve our greater advantages. It is not the plying crowd,—it is not the outgrown village,—it is not the canal uniting seas,-it is not the railroad triumphing over resistance and space, it is not physical science with all its wonders and all its spoils,-not literature itself with all its power to humanise, and its charm to adorn,-it is not each nor all of these instruments, results, and meliorations, which can fulfil our proper destiny, which can lift us up to the summit of that power which even humility may covet, and the most lowly heart may share. And if that be true of nations, as well as of individuals, which Seneca observes in one of his Epistles, “Talis est oratio, qualis vita,”—so let the substantial core of our speech find its answer in the honesty of our hearts,-let the sounds, redolent of olden times, stir us to purer deeds and worthier enterprises than any they could know,—and though a tide of more yielding phraseology and courtly dialect has set in upon us, submerging many words into an obsoleteness from which it were folly to attempt their resuscitation,-let it bury nothing beneath it of high-souled honour, nothing of glorious independence, nothing of cheerful content, nothing of domestic allegiance, nothing of uncompromising justice, nothing of munificent charity,―aye, nothing of that devotion to liberty and zeal for the gospel, which have wafted our name to other lands, and bound it up with the interests of the human race. Even now, he who is only the denizen catches the noble pride: how then should the native feel?

"Eaque verba, quæ dixi, etsi singularum rerum sunt, non, ut videntur, easdem res significant, sed aliquid differunt."

CICERO. Tusc: Quæs: lib. iii., sec. 34.

"Tironibus autem nihil sæpius fucum facit, quam verba specie et appellatione synonyma, quæ primo similes ac propè gemellos vultus offerunt, cum tamen origine, aut ingenio, aut utroque, simul longe differunt."

GARDIN DUMESNIL.

"Double, double,-toil and trouble."

Incantation Scene, MACBETH.

ON CORRELATES AND SYNONYMS.

THIS thesis raises questions of philological importance, as well as affords amusement; nor is the study to be discountenanced as altogether impertinent to those graver and more profound enquiries which seek to settle the origin of language, and to determine the elements of that family-speech which the family of mankind, yet infant, might be presumed to have employed.

There is nothing more singular, next to mind itself, than the verbal expressions with which it clothes and conveys its ideas. The enunciation of particular sounds is common to certain classes of animals, but their cries are few, circumscribed, and inflexible. The dove murmured as sweetly plaintive when it plucked the olive of a new world as now when that world is again grown old; nor does the lion lift up its voice more majestically than when the forests of Lebanon shook with its roar. The chirrup, the note, the song of the bird, are unvaried: the bellow, the growl, the moan of the quadruped, are unchanged. We may be sure that there is no improvement, no addition, of their sensations and impressions: that their vocabulary is large as their wants. But the voice of man, while contracted in its powers and confined to the utterance of certain sounds, has in it such a capability of rapid change and minute articulation, that, though its original powers are far from unlimited, their applications are little less. Our thoughts multiply with the enlargement of knowledge and the progress of society: we have reached no stationary point: and our language, instead of checking us, almost uniformly anticipates the idea, becomes elastic, so to speak, to our intellectual growth, and supplies a most powerful instrument towards the development of the hidden mind. But if speech and oral language mark the high superiority of ou species,-opening up a highway where invisible essences may

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meet,-throwing a chain of thousand links around a world, while each is electric to a mysterious sympathy and intercommunity of sentiment and emotion, there is an art which perfects this gift, not inferior to the gift itself. I ask not whether that art be the invention of man, or the discovery of wisdom higher than any he can boast;-I ask not whether this transcendent conception first shone out of his spirit, or fell, like a vision, upon it. We possess the secret; and man, once possessed of it, has acquired a power which necessity and taste may constantly improve. The establishment of a relation between sounds and things is an incalculable advantage and an astonishing law but the establishment of a relation between signs or characters-between a written language-and precise ideas and definite feelings, is beyond all parallel, and outdoes all originality. I write, or figure down, all that is passing in my mind, -how my views are determined, how my sentiments are affected, -my very thinking faculty-my heart of hearts; it passes from me it sweeps oceans-it traverses continents-it reaches my kinsman or my friend on the other side of the planet, foot to foot with me, and that vast diameter does not prevent the most perfect exchange and intercourse of our souls. I could not "pour my spirits" more distinctly into his ear-my organs could not more explicitly communicate with him than do these mute ciphers and lines; and very frequently we feel that written language has a greater force and perspicuity than parole, and refuse from the lip what we request from the pen. The word pen is taken from one that signifies a feather, perhaps not only because that is the modern utensil of writing, but also because it gives our thoughts the velocity of a wing. The stylus of the ancients, which was the pointed rod with which they indented their letters on the roll of papyrus and tablet of wax, came at length to be understood of their phrase, and we borrow from it our word when we speak of an author's style of a style elegant or incorrect. Thus the plural of the Latin term, Litera, properly means a letter missive, as if this were the very design and use of the contrivance of letters. Epistle bears the same signification, not arbitrarily, not from analogy, but from its Greek

primitive, which means to carry to or upon. Correspondence preserves the same thought, reciprocal answers. The invention of printing, great as it is, was not unnatural and improbable, after the connection was established between fixed forms and fixed ideas. I have sometimes felt surprised that it should not bear an earlier date. But the reason is obvious. When learning was the property of the few, the art of transcribing became a polite accomplishment, and amply served every literary purpose. When literature was introduced more generally into Europe, and the school arose as the rival of the cloister, then a polygraphic engine was imperiously required to satisfy the numerous and increasing demands of a world awakened to attention, and bursting into light. Had there been earlier necessity, we cannot doubt that the means of supplying it would have been earlier too. Mechanism is seldom slow in its improvements when men really need its superior ratios and facilities over manual skill and production.

If we do not perceive the extraordinary nature of the fellowship between mere characters and ideas, it will probably be found to arise from the want of reflection. The most common things, although the most curious and recondite, are generally overlooked; but to make plain the present remark, and to exhibit the singular arcana of language, let any man write down certain letters, syllables, and words. For example, be it the following sentence:-"This is a cold night." Look at the first word. What is there in these four marks, which we call letters, and to which we attach, by agreement, four different powers of sound,-what is there in that compound of letters, or, if pronounced, in that compound of sounds,-which contains an indicative idea that distinguishes the present night from all future and all past ones? And yet the idea filled your mind of a particular night-of a night that could not be mistaken-when you wrote or spoke the monosyllable "this." Cutting off the first two letters of that word, the elision leaves you another word"is." That word impresses you with the idea of being and time; that the night is real in the sense of fact; that it has a relation to action, or, more strictly, to active existence. Then

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