Romeo and Juliet. Hamlet. OthelloCharles Whittingham, 1826 |
Knygos viduje
Rezultatai 15 iš 38
113 psl.
... Ophelia's song in Hamlet : - ' They bore him bare - faced on the bier . ' 11 If no fickle freak , no light caprice , no change of fancy , hinder the performance . The expressions are from the poem . VOL . X. M Fri. Hold ; get you gone ...
... Ophelia's song in Hamlet : - ' They bore him bare - faced on the bier . ' 11 If no fickle freak , no light caprice , no change of fancy , hinder the performance . The expressions are from the poem . VOL . X. M Fri. Hold ; get you gone ...
150 psl.
... Fables : -Just John Littlewit , in Bartholomew Fair , who had a conceit ( as he tells you ) left him in his misery ; a miserable conceit . ' STEEVENS . HAMLET . Ophelia . Good night , sweet ladies , 150 ROMEO AND JULIET .
... Fables : -Just John Littlewit , in Bartholomew Fair , who had a conceit ( as he tells you ) left him in his misery ; a miserable conceit . ' STEEVENS . HAMLET . Ophelia . Good night , sweet ladies , 150 ROMEO AND JULIET .
150 psl.
William Shakespeare. HAMLET . Ophelia . Good night , sweet ladies , good night . Аст iv . Sc . 5 . Hamlet , Prince of Denmark . PRELIMINARY REMARKS . The. FROM THE CHISWICK PRESS . 1826 .
William Shakespeare. HAMLET . Ophelia . Good night , sweet ladies , good night . Аст iv . Sc . 5 . Hamlet , Prince of Denmark . PRELIMINARY REMARKS . The. FROM THE CHISWICK PRESS . 1826 .
154 psl.
... Ophelia ; aware of the submissive mildness of her character , which leads her to be subject to the influence of her father and her brother , he cannot venture to entrust her with his secret . In her presence , therefore , he has not ...
... Ophelia ; aware of the submissive mildness of her character , which leads her to be subject to the influence of her father and her brother , he cannot venture to entrust her with his secret . In her presence , therefore , he has not ...
155 psl.
... Ophelia is in- tended to confirm and publish the notion he would convey of his pretended insanity , which could not be marked by any circum- stance so strongly as that of treating her with harshness or indifference . The sincerity and ...
... Ophelia is in- tended to confirm and publish the notion he would convey of his pretended insanity , which could not be marked by any circum- stance so strongly as that of treating her with harshness or indifference . The sincerity and ...
Pagrindiniai terminai ir frazės
ancient beauty Benvolio Brabantio Capulet Cassio Cyprus dead dear death Desdemona doth Emil EMILIA Enter Exeunt Exit eyes fair Farewell father fear folio reads friar gentlemen give grief Guil Hamlet hath hear heart heaven honest honour Horatio Iago is't Juliet King Lear lady Laer Laertes look lord Love's Labour's Lost madam madness Malone married means Measure for Measure Mercutio Michael Cassio Moor murder never night Nurse old copies Ophelia Othello passage play poet POLONIUS pray quarto of 1603 quarto reads Queen Rape of Lucrece Roderigo Romeo Romeo and Juliet scene sense Shakspeare Shakspeare's soul speak speech Steevens sweet sword tell thee There's thing thou art thou hast thought to-night Troilus and Cressida Tybalt villain weep wife wilt word
Populiarios ištraukos
345 psl. - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
386 psl. - Now, whether it be Bestial oblivion, or some craven scruple Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say ' This thing's to do ; ' Sith I have cause and will and strength and means To do't.
50 psl. - But to be frank, and give it thee again. And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
245 psl. - O, it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: Pray you, avoid it.
170 psl. - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly: These, indeed, seem, For they are actions that a man might play : But I have that within, which passeth show; These, but the trappings and the suits of woe.
248 psl. - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
343 psl. - Nor do not sa.w the air too much with your hand, thus ; but use all gently ; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
420 psl. - Alas ! poor Yorick. I knew him, Horatio ; a fellow of infinite jest, of most excellent fancy ; he hath borne me on his back a thousand times ; and now, how abhorred in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft.
437 psl. - What I have done That might your nature, honour, and exception Roughly awake, I here proclaim was madness. Was't Hamlet wrong'd Laertes? Never Hamlet: If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, Then Hamlet does it not, Hamlet denies it. Who does it, then? His madness: if 't be so, Hamlet is of the faction that is wrong'd; His madness is poor Hamlet's enemy.