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" ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard... "
Dwight's Journal of Music - 176 psl.
1878
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British Magazine, and Monthly Register of Religious and ..., 3 tomas

1833 - 806 psl.
...French fantastical light way, better suiting a tavern or Playhouse than a Church. This was the first time of change, and now we no more heard the cornet...Instrument quite left off, in which the English were so skillful. I dined at Mr. Povey's, where I talked with Cromer, a great Musician. 1663. 17 April.—...
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The British Magazine, 3 tomas

1833 - 792 psl.
...French fantastical light way, better suiting a tavern or Playhouse than a Church. This was the first time of change, and now we no more heard the cornet...Instrument quite left off, in which the English were so skillful. I dined at Mr. Povey's, where I talked with Cromer, a great Musician. 1663. 17 April. —...
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Diary and Correspondence of John Evelyn, F. R. S.– To which is ..., 1 tomas

John Evelyn - 1850 - 512 psl.
...French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet...quite left off in which the English were so skilful. I dined at Mr. Povey's, where I talked with Cromer, a great musician. 23rd. I went with Sir George...
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A Church dictionary

Walter Farquhar Hook - 1859 - 826 psl.
...Chapel, " instead of the ancient, grave, and solemn wind-music, accompanying the organ :" and that " we no more heard the cornet, which gave life to the...quite left off, in which the English were so skilful." — Jebb. CORPORAL. This is the name given to the linen cloth which is spread over the body, (corpus,}...
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Memoirs Illustrative of the Life and Writings of John Evelyn, Esq., F.R.S ...

John Evelyn - 1870 - 788 psl.
...French fantastical light way, better suiting a tavern or playhouse than a church. This was the first time of change, and now we no more heard the cornet...instrument quite left off in which the English were so skillfull. I din'd at Mr. Povey's, where I talk'd with Cromer, a greate musician. 23. I went with Sir...
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A Letter on Shakspere's Authorship of The Two Noble Kinsmen– And on the ...

William Spalding, John Hill Burton - 1876 - 360 psl.
...French fantastical, light way, better suiting a tavern or play house than a church. This was the first time of change, and now we no more heard the cornet...quite left off in which the English were so skilful ! ' Of the older composers Henry Lawes was the most successful in adopting the new style. But he, like...
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Diary and Correspondence of John Evelyn, F.R.S.– To which is ..., 1 tomas

John Evelyn - 1878 - 540 psl.
...French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet...quite left off in which the English were so skilful. I dined at Mr. Povey's, where I talked with Cromer, a great musician. 23rd. I went with Sir George...
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A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent ..., 2 tomas

Sir George Grove - 1879 - 802 psl.
...a tavern, or playhouse, than a church. This was the first time of change, and now we no more henrd the cornet which gave life to the organ ; that instrument...Purcell himself wrote trumpet parts to his celebrated 'Te Deum,' and in 1755 Boyce added hautboys, bassoons, and drums to the score. Handel's Chandos anthems...
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The diary of John Evelyn

John Evelyn - 1879 - 652 psl.
...French fantastical light way, better suiting a tavern or playhouse than a church. This was the first time of change, and now we no more heard the cornet...instrument quite left off in which the English were so skillfull. I din'd at Mr. Povey's, where I talk'd with Cromer, a greate musician. 23. I went with Sir...
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A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent ..., 1 tomas

1879 - 786 psl.
...instrument quite left off in which the English were во skilful ! ' The development of the simple strinced quartet of Charles the Second's royal band was rapid...Purcell himself wrote trumpet parts to his celebrated 'Te Deum,' and in 1755 Boyce addud hautboys, bassoons, and drums to the score. Handel's Chandos anthems...
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