Dwight's Journal of Music, 37–38 tomaiD.L. Balch, 1878 |
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1 psl.
... four violoncel- passed by the Senate , and the impatience of ' At enim atherov in ' svrvyei μoknă Daibos lax yei , los , four double basses , three trombones , four the undergraduates was more than once mani- rv xaiλigdayyor xbugav ...
... four violoncel- passed by the Senate , and the impatience of ' At enim atherov in ' svrvyei μoknă Daibos lax yei , los , four double basses , three trombones , four the undergraduates was more than once mani- rv xaiλigdayyor xbugav ...
3 psl.
... four movements has a distinct character of its own , and each is symmetrically constructed . The second theme of the opening allegro is graceful , flowing , and essentially vocal . But , though this is the most brilliant , we are ...
... four movements has a distinct character of its own , and each is symmetrically constructed . The second theme of the opening allegro is graceful , flowing , and essentially vocal . But , though this is the most brilliant , we are ...
5 psl.
... four separate movements in classical form . The first is an Allegro entitled " Daytime -- Impressions horn , and suggests rather than imitates the thousand and and Emotions . " This opens boldly with a phrase for the one sounds which ...
... four separate movements in classical form . The first is an Allegro entitled " Daytime -- Impressions horn , and suggests rather than imitates the thousand and and Emotions . " This opens boldly with a phrase for the one sounds which ...
14 psl.
... four dramas abyss " where the harsh , coarse noise of brass could which , with the prelude . “ Rheingold , " compose the be subdued and blended to the mysterious imagina- Niebelung Trilogy that made all the world famil- tive swell and ...
... four dramas abyss " where the harsh , coarse noise of brass could which , with the prelude . “ Rheingold , " compose the be subdued and blended to the mysterious imagina- Niebelung Trilogy that made all the world famil- tive swell and ...
16 psl.
... four . When we try to think of a million of girls in perpetual succession , prac- ticing four years , at say two hours a day , on a million pianos , the results become too fearful for the human mind to conceive . Of this million of ...
... four . When we try to think of a million of girls in perpetual succession , prac- ticing four years , at say two hours a day , on a million pianos , the results become too fearful for the human mind to conceive . Of this million of ...
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Pagrindiniai terminai ir frazės
accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata character charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Fugue genius German given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann lady letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative rendering Rubinstein sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words
Populiarios ištraukos
152 psl. - And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
43 psl. - Musick is yet but in its Nonage, a forward Child, which gives hope of what it may be hereafter in England, when the Masters of it shall find more Encouragement. Tis now learning Italian, which is its best Master, and studying a little of the French Air to give it somewhat more of Gayety and Fashion. Thus being farther from the Sun, we are of later Growth than our Neighbour Countries, and must be content to shake off our Barbarity by degrees.
51 psl. - The greatest natural genius cannot subsist on its own stock : he who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations; he will be obliged to imitate himself, and to repeat what he has before often repeated. When we know the subject designed by such men, it will never be difficult to guess what kind of work is to be produced.
176 psl. - ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument quite left off in which the English were so skilful.
167 psl. - For some we loved, the loveliest and the best That from his Vintage rolling Time hath prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest.
167 psl. - STAY, stay at home, my heart, and rest ; Home-keeping hearts are happiest, For those that wander they know not where Are full of trouble and full of care ; To stny at home is best.
167 psl. - ... that wander they know not where Are full of trouble and full of care ; To stay at home is best. •Weary and homesick and distressed, They wander east, they wander west, And are baffled and beaten and blown about By the winds of the wilderness of doubt ; To stay at home is best.
176 psl. - One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church.
50 psl. - An opera is a poetical tale, or fiction, represented by vocal and instrumental music, adorned with scenes, machines, and dancing. The supposed persons of this musical drama are generally supernatural...
167 psl. - I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in her Lap from some once lovely Head.