Dwight's Journal of Music, 37–38 tomaiD.L. Balch, 1878 |
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Rezultatai 1–5 iš 95
2 psl.
... charming . The quartet , re- others - not only of his new favorite , Brahms , ceived with such favor at a Monday evening but of Handel , Mozart , Cherubini , Schubert , concert , was repeated on the following Satur- Mendelssohn , Spohr ...
... charming . The quartet , re- others - not only of his new favorite , Brahms , ceived with such favor at a Monday evening but of Handel , Mozart , Cherubini , Schubert , concert , was repeated on the following Satur- Mendelssohn , Spohr ...
3 psl.
... charming bagatelle , the only fault of which is its brevity , and also to the finale , built upon a pastoral subject , as nat- ural and unaffected as it is tuneful . The en- tire work was admirably executed by Mdlle . Krebs , Herr ...
... charming bagatelle , the only fault of which is its brevity , and also to the finale , built upon a pastoral subject , as nat- ural and unaffected as it is tuneful . The en- tire work was admirably executed by Mdlle . Krebs , Herr ...
4 psl.
... charming contrast to the solemnity of the first theme ; these two mo- tives alternate , and finally the movement closes with the touching strain for the soprani , gradually decreas- ing in strength of tone . No. 6 is " n air for the ...
... charming contrast to the solemnity of the first theme ; these two mo- tives alternate , and finally the movement closes with the touching strain for the soprani , gradually decreas- ing in strength of tone . No. 6 is " n air for the ...
6 psl.
... charm for a soprano so " robust " ( to borrow a term commonly applied to tenors ) ; throw- ing herself into each part with full fervor and siez- ing its individuality by a sure instinct , -she united dignity and grace of person and of ...
... charm for a soprano so " robust " ( to borrow a term commonly applied to tenors ) ; throw- ing herself into each part with full fervor and siez- ing its individuality by a sure instinct , -she united dignity and grace of person and of ...
7 psl.
... charming Overture suffered somewhat from the same cause , as well as insuffi- cient rehearsal , but was evidently ... charm and animation , and Dr. E. C. Ballard , the Lord Edward of the dialogue , did his part in the most satisfactory ...
... charming Overture suffered somewhat from the same cause , as well as insuffi- cient rehearsal , but was evidently ... charm and animation , and Dr. E. C. Ballard , the Lord Edward of the dialogue , did his part in the most satisfactory ...
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Pagrindiniai terminai ir frazės
accompaniment admirable Allegro Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata character charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Fugue genius German given Gounod grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann lady letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative rendering sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words
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176 psl. - ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument quite left off in which the English were so skilful.
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176 psl. - One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church.
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