Dwight's Journal of Music, 37–38 tomaiD.L. Balch, 1878 |
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2 psl.
... audience was not less enthusi- astic than numerous . Dr. Joseph Joachim , as might have been expected , was the hero of the evening . On appearing in the orchestra he was greeted with uproarious applause . This was renewed with in ...
... audience was not less enthusi- astic than numerous . Dr. Joseph Joachim , as might have been expected , was the hero of the evening . On appearing in the orchestra he was greeted with uproarious applause . This was renewed with in ...
5 psl.
... audiences 1 must accord them another credit , and that is that do not increase ? Why is it that one finds oneself they seem ... audience enjoy them , or think they enjoy them ( which amounts to the same thing ) , is doing a great deal to ...
... audiences 1 must accord them another credit , and that is that do not increase ? Why is it that one finds oneself they seem ... audience enjoy them , or think they enjoy them ( which amounts to the same thing ) , is doing a great deal to ...
10 psl.
... audience were of the same opinion . That the symphony in C minor will hold a per- manent place in the Crystal Palace programmes- cannot admit of a doubt . The bright and sym - ry metrically built overture to Cherubini's Faniska opened ...
... audience were of the same opinion . That the symphony in C minor will hold a per- manent place in the Crystal Palace programmes- cannot admit of a doubt . The bright and sym - ry metrically built overture to Cherubini's Faniska opened ...
11 psl.
... audience spellbound from the moment she begins until she ceases playing . Brahms , with his grand work , took the audience by storm and enthroned himself victoriously for all times ( 7 ) the Gewandhaus being , as many of your readers ...
... audience spellbound from the moment she begins until she ceases playing . Brahms , with his grand work , took the audience by storm and enthroned himself victoriously for all times ( 7 ) the Gewandhaus being , as many of your readers ...
14 psl.
... audience could only judge from what they actually heard and saw . Let me say again that much praise is due to all con- cerned for their efforts towards realizing the ideal they strove after ; they are only to be blamed for attempting ...
... audience could only judge from what they actually heard and saw . Let me say again that much praise is due to all con- cerned for their efforts towards realizing the ideal they strove after ; they are only to be blamed for attempting ...
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Pagrindiniai terminai ir frazės
accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata character charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Fugue genius German given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann lady letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative rendering Rubinstein sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words
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176 psl. - ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument quite left off in which the English were so skilful.
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167 psl. - STAY, stay at home, my heart, and rest ; Home-keeping hearts are happiest, For those that wander they know not where Are full of trouble and full of care ; To stny at home is best.
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176 psl. - One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church.
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