Dwight's Journal of Music, 37–38 tomaiD.L. Balch, 1878 |
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5 psl.
... artists . of dramatic force , and in its texture seems to me much like scene - painting ( as one of the papers here has called it . ) I heard it with interest . Mr. Wolfsohn is about to commence a series of eighteen historical piano ...
... artists . of dramatic force , and in its texture seems to me much like scene - painting ( as one of the papers here has called it . ) I heard it with interest . Mr. Wolfsohn is about to commence a series of eighteen historical piano ...
6 psl.
... artistic feeling , that which is of " low order in Art , " without having his finer perceptions and feelings ... artists in the chief roles one was a star of really rare lustre , two or three were excellent , the rest from fair ...
... artistic feeling , that which is of " low order in Art , " without having his finer perceptions and feelings ... artists in the chief roles one was a star of really rare lustre , two or three were excellent , the rest from fair ...
10 psl.
... artists , who , as we shall see hereafter , introduced the violin manufacture into Italy . Particularly should their attention be turned to the history of German lute manufacture , which , in several Bava | rian towns , to wit ...
... artists , who , as we shall see hereafter , introduced the violin manufacture into Italy . Particularly should their attention be turned to the history of German lute manufacture , which , in several Bava | rian towns , to wit ...
12 psl.
... artists were numerons , and with a particle of analytic power some idea of the the works performed of recognized attraction . In- scope and purpose of Wagner's latest style of mu- deed , the character of the representations made it sic ...
... artists were numerons , and with a particle of analytic power some idea of the the works performed of recognized attraction . In- scope and purpose of Wagner's latest style of mu- deed , the character of the representations made it sic ...
13 psl.
... artists . Mme . Pappenheim retained the impression she al ready had made , that of a singer whose mind and soul are both in her work , and who strives zealous . ly to give an intelligent impersonation . If her stage presence has not ...
... artists . Mme . Pappenheim retained the impression she al ready had made , that of a singer whose mind and soul are both in her work , and who strives zealous . ly to give an intelligent impersonation . If her stage presence has not ...
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accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata character charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Fugue genius German given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann lady letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative rendering Rubinstein sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words
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51 psl. - The greatest natural genius cannot subsist on its own stock : he who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations; he will be obliged to imitate himself, and to repeat what he has before often repeated. When we know the subject designed by such men, it will never be difficult to guess what kind of work is to be produced.
176 psl. - ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument quite left off in which the English were so skilful.
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167 psl. - STAY, stay at home, my heart, and rest ; Home-keeping hearts are happiest, For those that wander they know not where Are full of trouble and full of care ; To stny at home is best.
167 psl. - ... that wander they know not where Are full of trouble and full of care ; To stay at home is best. •Weary and homesick and distressed, They wander east, they wander west, And are baffled and beaten and blown about By the winds of the wilderness of doubt ; To stay at home is best.
176 psl. - One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church.
50 psl. - An opera is a poetical tale, or fiction, represented by vocal and instrumental music, adorned with scenes, machines, and dancing. The supposed persons of this musical drama are generally supernatural...
167 psl. - I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in her Lap from some once lovely Head.