Dwight's Journal of Music, 3738 tomaiD.L. Balch, 1878 |
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3 psl.
... finale , built upon a pastoral subject , as nat- ural and unaffected as it is tuneful . The en- tire work was admirably executed by Mdlle . Krebs , Herr Joachim , and Signor Piatti , who did all in their power to make it acceptable ...
... finale , built upon a pastoral subject , as nat- ural and unaffected as it is tuneful . The en- tire work was admirably executed by Mdlle . Krebs , Herr Joachim , and Signor Piatti , who did all in their power to make it acceptable ...
6 psl.
... Finale ( Rondo ) was made more of than we have ever heard through any interpreter except Joachim . Dr. Damrosch played an elaborate Ca- denza of his own in each of the three movements , which we found ingenious and interesting , and for ...
... Finale ( Rondo ) was made more of than we have ever heard through any interpreter except Joachim . Dr. Damrosch played an elaborate Ca- denza of his own in each of the three movements , which we found ingenious and interesting , and for ...
10 psl.
... finale , Upon the tickets which they were in the habit of believed to have been written years later than affixing to their productions , it was not uncommon the other portions of the symphony , is unques- for them to give their ...
... finale , Upon the tickets which they were in the habit of believed to have been written years later than affixing to their productions , it was not uncommon the other portions of the symphony , is unques- for them to give their ...
22 psl.
... Finale , Allegretto . Second Matinée . 1. Trio for Piano , Violin and ' Cello , Op . 63 , in D minor ... Sehumann Mit Energie und Leidenschaft - Scherzo , lebhaft , doch nicht zu rasch - Langsam mit inniger Empfindung - Mit Feuer . 2 ...
... Finale , Allegretto . Second Matinée . 1. Trio for Piano , Violin and ' Cello , Op . 63 , in D minor ... Sehumann Mit Energie und Leidenschaft - Scherzo , lebhaft , doch nicht zu rasch - Langsam mit inniger Empfindung - Mit Feuer . 2 ...
32 psl.
... Finale . Andante et Scherzo - Oy . 7 .. ..Schumann Mendelssohn Schubert Mendelssohn Recital No. 2. - Schubert - Mendelssohn - Schumann . Impromptu- ( De la Rosamonde ) . Five Songs , without words .. [ a ] Book IV . , No. 1 , Andante ...
... Finale . Andante et Scherzo - Oy . 7 .. ..Schumann Mendelssohn Schubert Mendelssohn Recital No. 2. - Schubert - Mendelssohn - Schumann . Impromptu- ( De la Rosamonde ) . Five Songs , without words .. [ a ] Book IV . , No. 1 , Andante ...
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accompaniment admirable appeared artists audience Bach beautiful become Beethoven Boston called character charming Chopin chorus close composer composition concert course effect English excellent expression fact feeling Finale flat four gave German give given grand Hall hand hear heard Herr important interest Italian Italy less letter Lohengrin major manner March marked master means melody Mendelssohn ment minor Miss movement Mozart musicians nature never once opera orchestra organ original Overture perfect performance piano piece played popular present produced programme received remarkable rendering sang Schumann season seems singers singing Society solo song soprano style success sung Symphony things Thomas tion tone violin vocal voice Wagner whole written young
Populiarios ištraukos
152 psl. - And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
43 psl. - Musick is yet but in its Nonage, a forward Child, which gives hope of what it may be hereafter in England, when the Masters of it shall find more Encouragement. Tis now learning Italian, which is its best Master, and studying a little of the French Air to give it somewhat more of Gayety and Fashion. Thus being farther from the Sun, we are of later Growth than our Neighbour Countries, and must be content to shake off our Barbarity by degrees.
51 psl. - The greatest natural genius cannot subsist on its own stock : he who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations; he will be obliged to imitate himself, and to repeat what he has before often repeated. When we know the subject designed by such men, it will never be difficult to guess what kind of work is to be produced.
176 psl. - ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument quite left off in which the English were so skilful.
167 psl. - For some we loved, the loveliest and the best That from his Vintage rolling Time hath prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest.
167 psl. - STAY, stay at home, my heart, and rest ; Home-keeping hearts are happiest, For those that wander they know not where Are full of trouble and full of care ; To stny at home is best.
167 psl. - ... that wander they know not where Are full of trouble and full of care ; To stay at home is best. Weary and homesick and distressed, They wander east, they wander west, And are baffled and beaten and blown about By the winds of the wilderness of doubt ; To stay at home is best.
176 psl. - One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church.
50 psl. - An opera is a poetical tale, or fiction, represented by vocal and instrumental music, adorned with scenes, machines, and dancing. The supposed persons of this musical drama are generally supernatural...
167 psl. - I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in her Lap from some once lovely Head.