I pray thee that thou shorten not my days, This is borrowed from "The Revenger's Tragedy," by Cyril Tourneur. “Forgive me, Heaven, to call my mother wicked! I cannot honour her." 66 PAGE 117, ACT III., SCENE I. The wind when first he rose and went abroad Did he solicit, and from her he drew A voice so constant, soft, and lowly deep, A mild memorial of the ocean cave Perhaps I have been indebted here, though if so, I was unconscious of it at the time, to a well-known passage in 'Gebir.' At all events, that passage cannot be too often quoted, and I will transcribe it here :— "But I have sinuous shells of pearly hue Within, and they that lustre have imbibed In the Sun's palace-porch, where, when unyoked, Its polish'd lips to your attentive ear, And murmurs as the ocean murmurs there." And by the crown of his head I know the times. The tonsure was enforced upon the Secular Clergy, as well as on the Regulars; and as the Anglo-Saxons were very proud of their hair, this was a point of discipline which sometimes gave rise to difficulties. PAGE 172, ACT III., SCENE VIII. "He bids you know that in this land this day He finds more fat than bones, more monks than soldiers." I have taken the words of Fuller: "Indeed one may safely affirm that the multitude of monasteries invited the invasion and facilitated the conquest of the Danes over England..... because England had at this time more flesh or fat than bones, wherein the strength of a body consists; more monks than military men."- Church History, Book II., S. 51. PAGE 211, ACT V., SCENE II. "But now I wax old, Sick, sorry, and cold, Like muck upon mould I widder away." I have taken the liberty to borrow this from the "Processus Noe," one of the Towneley Mysteries, printed by the Surtees Society. In another place I have taken a mode of expression from the following lines in the “Mactatio Abel:" "Felowes, here I you forbede To make nother nose nor cry: The Devylle hang hym up to dry." PAGE 213, ACT V., SCENE II. 66 At Winchester Ye heard how, in the west end of the church, "The Divell was heard in the west end of the Church, taking up a great laughter after his roaring manner, as though he should show himself glad and joyful at Dunstan's going into exile.”—Holinshed, Chap. 23. PAGE 228, ACT V., SCENE VII. Stage Direction—“ In front is a mortstone.” This was a large stone by the wayside, between a distant village and the Parish Church, on which the bearers of a dead body rested the coffin. The picture of the past presents itself Minute yet vivid, such as it is seen In his last moments by a drowning man." There are few psychological phenomena more interest ing or more worthy of scientific investigation than the one here alluded to,-the presentation to a man in a drowning state,—and not as far as I am aware to a man dying in any other way, of innumerable acts and occurrences in a succession so rapid, that his whole life appears to be reflected in his last moments. There have been several examples of this in our own times, according to the relations of men who have been resuscitated out of a drowning state; and one of them is of such unquestionable authenticity and value that some claim may perhaps be advanced in the interest of Science to have it duly recorded. THE END. LONDON: BRADBURY AND EVANS, PRINTERS, WHITEFRIARS. |