Victorian Afterlives: The Shaping of Influence in Nineteenth-century Literature
Robert Douglas-Fairhurst, Professor of English Literature and Fellow of Magdalen College Oxford Robert Douglas-Fairhurst
Oxford University Press, 2002 - 372 psl.
Questions of survival were much discussed during the nineteenth century, ranging from debates over the likelihood of a personal immortality, to anxieties over the more dispersed and unpredictable aftermath of particular acts and utterances. Some of these questions emerged in the intellectualand stylistic preoccupations of individual writers, such as Dickens, Tennyson, and FitzGerald. Others contributed towards the cultural atmosphere they shared, in which shifty and overlapping ideas of 'influence' (from the seductive touch of the mesmerist to the contagious breath of the poor) becamecentral to attempts to work out how far-reaching were the effects which people had on one another and themselves.Victorian Afterlives sets out to recover this atmosphere, and to explain why its pressures are still being exercised on and in our own ways of thinking. Moving freely between different fields of enquiry (including literary criticism, philosophy, and the history of science), and written in a livelyand accessible style, this major new study redraws the map of nineteenth-century culture to show what the Victorians made of one another, and what they might still help us make of ourselves.
Ką žmonės sako - Rašyti recenziją
Neradome recenzijų įprastose vietose.
Forms of Survival
Persons and poems
Influence and anxiety
a distant ringing hum
Voices in the Air
one vase library
the moral atmosphere
the return of the mind upon itself
the growth of song
a vital Sympathy
Edward FitzGerald Under the Influence
the constant appeal of time
a certain consciousness
Kiti leidimai - Peržiūrėti viską
afterlife answer appear attempts become Bloom body breath claims continued critical cultural dead death described desire drawing dust earlier echoes edition effects EFGL equally Essays example Expectations experience explained expression eyes feel FitzGerald further future Hallam hand hope human idea imaginative individual influence John Keats language later less letter lines literary living means Memoriam memory mind moral narrative nature never notes once original particular past person physical poem poet poetic poetry points possible present provides question quoted readers reference reflect relations remain repr response returns revision rhyme seems sense separate shape shared social soul sound space speak speaker speech spirit strange suggests sympathy Tennyson things thought translation true turn verse Victorian voice vols writing