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TRISTRAM OF LYONESSE-

1. Dedicatory Sonnet

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11. Selection from "The Sailing of the Swallow
III. Selection from "The Maiden Marriage
IV. Selection from "The Last Pilgrimage"
HERSE.

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SONNET: "Hope and Fear"

A CENTURY OF ROUNDELS-

1. To Catullus

11. In Guernsey

THE LUGGIE-

Winter (a selection)
THE YELLOWHAMMER
OCTOBER (a selection)
THE HAREBELL.
IN THE SHADOWS-

Sonnets I., II., and III.
MY EPITAPH

OLD AND NEW ROME
"ACROSS THE ESTUARY"
A LOST MORNING

DAVID GRAY (1838-1861). James Ashcroft Noble 355

EMPEDOCLES

357

AUSTIN DOBSON (1840)
OLD-WORLD IDYLLS-
1. A Dead Letter

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11. The Ballad of "Beau Brocade "

PROVERBS IN PORCELAIN-
"Good Night, Babette "

HERMAN CHARLES MERIVALE (1839) J. A. Blaikie 371

THE WHITE PILGRIM-
The Speech of Death
SONNETS-

1. The Sunset Winter.
II. Thaïsa's Dirge
ÆTATE XIX.

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Alfred H. Miles 391

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VIGNETTES IN RHYME-
The Idyll of the Carp.
AT THE SIGN OF THE LYRE-
A Fancy from Fontenelle
MISCELLANEOUS POEMS-

1. A Song of the Four Seasons
II. The Paradox of Time
III. To a Greek Girl

FABLES OF LITERATURE AND ART-
The Poet and the Critics
ESSAYS IN OLD FRENCH FORMS-
A Ballad of Prose and Rhyme
"In After Days".

SONNETS AND SONGS-

1. In the Night

II. Sonnets-The Sublime
III. At a Funeral.

THE LOVE-SONNETS OF PROTEUS-

IV. Farewell to Juliet: "Farewell, then

v. Laughter and Death

VI. On the Shortness of Time

SONNETS

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WILFRID SCAWEN BLUNT (1840)
Richard le Gallienne 425

1. To Manon, comparing Her to a Falcon
II. To Juliet, exhorting Her to Patience
III. Farewell to Juliet: "Lame, Impotent Con-

clusion"

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IN VINCULIS-

SONNETS

I. "From Caiaphas to Pilate I was sent "

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II. "There are two voices with me in the night" 442
III. "My prison has its pleasures
IV. "Farewell, dark gaol".

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A NEW PILGRIMAGE-

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1. "Ah Paris, Paris!"

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II. "To-day there is no cloud upon thy face
"9 444
III. "For thus it is. You flout at kings to-day" 445
IV. "Gods, what a moral! Yet in vain I jest " 445
v. "How strangely now I come, a man of

446

THE IDLER'S CALENDAR-
1. April

II. November

FROM THE ARABIC-

The Camel-Rider.

POSTHUMOUS

ANY SOUL TO ANY BODY.
HER FACE

A DEAD MARCH.

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COSMO MONKHOUSE (1840-1901) R. le Gallienne 453

THE CHIEF RINGER'S BURIAL

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THE NIGHT EXPRESS

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(A Christmas Carol)
THE TEMPTATION IN THE WILDERNESS

LE JEUNE HOMME CARESSANT SA CHIMÈRE
FOR ONE OF GIAN BELLINI'S LITTLE ANGELS
LYRICS OF LIFE-

1. "Back to thy Books

II. "Give freely to the Friend thou hast
III. After Tempest

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T. Herbert Warren 477

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THE LOVE TALE OF ODATIS-
The Dream of Odatis.

AMONG THE MOUNTAINS-

The Crocus and the Soldanella.

SONNETS-

Winter Nights in the High Alps, I.".
Winter Nights in the High Alps, II.

Winter Nights in the High Alps, III.
Winter Nights in the High Alps, IV.

MISCELLANEOUS-

I. The Grave of Omar Khayyam
II. A Sister of the Poor

III. O si, O si, Otiosi

IV. To Prometheus

v. The Chorister

VI. A Dream of Burial in Mid-Ocean

ROBERT BUCHANAN (1841-1901)

IDYLS AND LEGENDS OF INVERBURN-

The Dead Mother.

LONDON POEMS-

1. Artist and Model
II. Nell

III. Tiger Bay

NORTH COAST, AND OTHEer Poems-
The Battle of Drumliemoor

THE BOOK OF ORM-

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1. The Dream of the World without Death
II. Roses

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MISCELLANEOUS POEMS AND BALLADS-

1. The Lights of Leith

II. The Wedding of Shon Maclean

III. The Ballad of Judas Iscariot
IV. The Faëry Reaper.

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J. A. Noble 517

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"

William Morris.

1834-1896.

WILLIAM MORRIS was born at Walthamstow on the 24th of March, 1834, and died at Hammersmith on the 3rd of October, 1896. He was educated at Marlborough and at Exeter College, Oxford; and in 1856 he was articled to the late George Edmund Street, the architect. His early sympathies with what is noblest in architecture may be traced in his literary work of this period, preserved in a remarkable periodical in which he was associated with several brilliant young contemporaries. The Oxford and Cambridge Magazine, founded, and supported so far as funds are concerned, by Morris, was also largely indebted to his pen for its contents; and it was during the year 1856, in which its twelve numbers appeared, that he made a solid start in literature. The magazine contains poems of his, critical papers, and a series of notable prose stories. It is in some of these that he showed, in a dreamy and sensitive way, the keen sympathy with the craftsmen of the middle ages that in later years led him into the eager polemics of that practical undertaking, the Society for the Protection of Ancient Buildings, dreaded, though not yet sufficiently dreaded, by the destructive Philistine. Those early stories, though crude in form, bear unmistakable marks of genius; and no man of judgment reading them as the work of a youth of one or two and

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