A Companion to European RomanticismMichael Ferber John Wiley & Sons, 2008-04-15 - 600 psl. This companion is the first book of its kind to focus on the whole of European Romanticism.
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xi psl.
... Nature: Four Centuries of Nature Writing, coedited with Bridget Keegan (Prentice-Hall, 2001), and Coleridge's Philosophy of Language (Yale University Press, 1986). He has also published more than 20 articles and over two dozen reviews ...
... Nature: Four Centuries of Nature Writing, coedited with Bridget Keegan (Prentice-Hall, 2001), and Coleridge's Philosophy of Language (Yale University Press, 1986). He has also published more than 20 articles and over two dozen reviews ...
5 psl.
... nature for the view of the world, and symbol and myth for poetic style. Some whom we want to call Romantic, he concedes, elude one criterion or another: Byron did not see the imagination as the fundamental creative power, and “Blake ...
... nature for the view of the world, and symbol and myth for poetic style. Some whom we want to call Romantic, he concedes, elude one criterion or another: Byron did not see the imagination as the fundamental creative power, and “Blake ...
7 psl.
... nature, and \Veltschmerz and notes whether they were strong features in five national literatures. His proposal deserves better than the weak response it has received: reconsidered in the light of Wittgenstein's idea, and with some new ...
... nature, and \Veltschmerz and notes whether they were strong features in five national literatures. His proposal deserves better than the weak response it has received: reconsidered in the light of Wittgenstein's idea, and with some new ...
16 psl.
... nature and nature within us. Taylor calls this change the “Deist shift": For the ancients, nature offers us an order which moves us to love and instantiate it, unless we are depraved. But the modern view, on the other hand, endorses nature ...
... nature and nature within us. Taylor calls this change the “Deist shift": For the ancients, nature offers us an order which moves us to love and instantiate it, unless we are depraved. But the modern view, on the other hand, endorses nature ...
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... natural scientist: “the faculty of sensing, the cause of feeling, or feeling itself in the organs of the body, the basis of life and what assures its continuance, animality par excellence, the finest, the most singular phenomenon of nature ...
... natural scientist: “the faculty of sensing, the cause of feeling, or feeling itself in the organs of the body, the basis of life and what assures its continuance, animality par excellence, the finest, the most singular phenomenon of nature ...
Turinys
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10 | |
29 | |
3 Scottish Romanticism and Scotland in Romanticism | 49 |
4 Byrons Influence on European Romanticism | 67 |
5 The Infinite Imagination Early Romanticism in Germany | 86 |
6 From Autonomous Subjects to Selfregulating Structures Rationality and Development in German Idealism | 101 |
7 German Romantic Fiction | 123 |
18 Lermontov Romanticism on the Brink of Realism | 309 |
19 Adam Mickiewicz and the Shape of Polish Romanticism | 326 |
20 The Revival of the Ode | 345 |
21 Unfinishd Sentences The Romantic Fragment | 360 |
22 Romantic Irony | 376 |
23 Sacrality and the Aesthetic in the Early Nineteenth Century | 393 |
24 Nature | 413 |
25 Romanticism and Capitalism | 433 |
8 The Romantic Fairy Tale | 138 |
9 German Romantic Drama | 157 |
10 Early French Romanticism | 172 |
11 The Poetry of Loss Lamartine Musset and Nerval | 192 |
12 Victor Hugos Poetry | 208 |
13 French Romantic Drama | 224 |
14 Romantic Poetics in an Italian Context | 238 |
15 Ugo Foscolo and Giacomo Leopardi Italys Classical Romantics | 256 |
16 Spanish Romanticism | 276 |
17 Pushkin and Romanticism | 293 |
26 Napoleon and European Romanticism | 450 |
27 Orientalism | 467 |
28 A Continent of Corinnes The Romantic Poetess and the Diffusion of Liberal Culture in Europe 181550 | 486 |
29 Lighting Up Night | 505 |
30 Romantic Opera | 522 |
31 At Home with German Romantic Song | 538 |
32 The Romantic System of the Arts | 552 |
Index | 571 |
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Pagrindiniai terminai ir frazės
aesthetic Alexander Pushkin artistic August Wilhelm Schlegel Byron Cambridge character Chateaubriand classical Coleridge contemporary Corinne critical cultural death early eighteenth century English epistolary novel essay Europe European exile fairy feeling Fichte Foscolo fragments France French Friedrich Schlegel genre German German Romanticism Giacomo Leopardi Goethe Goethe’s Hegel Heine hero Hoffmann Hugo Hugo’s human ideal imagination influence inspired intellectual Italian Italy Kant’s Lamartine language later Leopardi Lermontov literary literature lyric M. H. Abrams Mickiewicz modern moral Napoleon narrative nature neoclassical night nineteenth century Novalis novel opera Oriental original Ossian Paris passion philosophy Pindaric play poem poet poet’s poetess poetic poetry political prose published Pushkin readers reflection religious romantic irony Romantic poetry Romanticism Rousseau Russian Schelling Schiller Scottish sense Sensibility sentimental Shakespeare social society song sonnet Stael Stendhal sublime tale theater themes Tieck tradition trans translation University Press verse vols Wilhelm Wordsworth writing