Puslapio vaizdai
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Gentlewoman of the Old School

HE lived in Georgian era too.

Most women then, if bards be

true,

Succumbed to Routs and Cards, or grew

Devout and acid.

But hers was neither fate. She came

Of good west-country folk, whose fame

Has faded now. For us her name

Is "Madam Placid."

Patience or Prudence,-what you will,

Some prefix faintly fragrant still

As those old musky scents that fill

Our grandams' pillows

And for her youthful portrait take

Some long-waist child of Hudson's make,

Stiffly at ease beside a lake

With swans and willows.

I keep her later semblance placed

Beside my desk,-'tis lawned and laced,

In shadowy sanguine stipple traced

By Bartolozzi;

A placid face, in which surprise

Is seldom seen, but yet there lies
Some vestige of the laughing eyes
Of arch Piozzi.

For her e'en Time grew debonair.

He, finding cheeks unclaimed of care,

With late-delayed faint roses there,

And lingering dimples,

Had spared to touch the fair old face,

And only kissed with Vauxhall grace

The soft white hand that stroked her lace,

Or smoothed her wimples.

So left her beautiful. Her age

Was comely as her youth was sage,

And yet she once had been the rage ;—

It hath been hinted,

Indeed, affirmed by one or two,

Some spark at Bath (as sparks will do)

Inscribed a song to "Lovely Prue,"

Which Urban printed.

I know she thought; I know she felt;

Perchance could sum, I doubt she spelt;

She knew as little of the Celt

As of the Saxon;

I know she played and sang, for yet

We keep the tumble-down spinet

To which she quavered ballads set

By Arne or Jackson.

Her tastes were not refined as ours;

She liked plain food and homely flowers,

Refused to paint, kept early hours,

Went clad demurely ;

Her art was sampler-work design,

Fireworks for her were "vastly fine,"

Her luxury was elder-wine,

She loved that "purely."

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